Wednesday, February 17, 2016

My Guest: Judith Lucci

My Guest this week is a seasoned writer giving birth to a new series this month. She's here today, however, to delve deeply into the underlying mystery behind almost every author. Intrigued? Read on... Ladies and Gentlemen...

Judith Lucci

Hidden Meanings for Authors:
Why I Write

People often ask me why I write, so I tell them I like to drink coffee, make up stuff and write it down.  Then they then ask me why I write what I write, so I respond that most of my novels are developed from my many life experiences. Their next question is whether I have nightmares (I don’t) from writing the thrillers I publish, or whether I’m ever scared (I’m not) of my characters. Finally they ask what exactly keeps me writing.

After four years as a full time author, I find myself asking the same question: What keeps me writing? It’s hard, laborious, time-consuming and frustrating. I certainly don’t write for the money it brings in, and I don’t write because it brings me great fame or celebrity status (I still grab my own bags from the luggage carousel at the airport - my definition of celebrity status).
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Writers write for a variety of reasons. Some write for the excitement, because it heightens their senses and makes them feel alive. I plead guilty, as I live vicariously through my characters and never feel more alive than when I’m writing or plotting diabolical scenes or building tension in my books. Paradoxical and a bit macabre, isn’t it?

Others write because it’s cathartic and liberating. Guilty again! The murder of a hospital patient I wrote about in the psycho-thriller The Imposter, actually happened on my watch as an administrator. Finally, after completing the book, I was able to view the murder from the outside looking in.

Sometimes when I write, my characters encounter difficult times and situations, and I can look at their experiences and make decisions about my own life. Getting advice from my characters - do I sound committable yet?

Writers often express their values, morals, ethics, and dreams in their writing. Writing allows me the opportunity to create a world as I would like it to be. Architects design buildings, but writers design whole worlds and civilizations, creating those worlds in their preferred image. Writing lets me control my characters (this is cool because I certainly can’t control the ‘characters’ in my life), educate my readers, and advocate for others while entertaining them in the process.

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Many of the situations and scenes in the Alex Destephano medical thriller series are based on true life situations I’ve encountered in my years as a clinician, professor and administrator. Currently, I see fewer patients and have less time for teaching, but I still have a lot to say. I use my books as a platform or springboard to present readers with new situations and information they may encounter in life.

For instance, in Chaos at Crescent City Medical Center, I incorporated some of the changes that would arise due to the Affordable Care Act.  In a fictionalized but true-to-life Obamacare health environment, the characters dealt with cost constraints, shortages, decreased care and significant changes in quality, and my protagonist advocated for the needs of physicians, nurses and the safety of patients.

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In The Imposter, I present the unsafe, global health environment for psychiatric patients and staff and discuss how the rights of the mentally challenged are ignored, compromised, and negated.  In the US, hospital chains are eager to build Orthopedic and Cancer Centers and Heart Pavilions, or any type of specialty patient area that is associated with high reimbursement by insurance companies. I’ve not seen many new psychiatric facilities built or marketed in recent years other than private pay ‘Memory Care Centers’ for the increasing dementia population that costs upwards of $5,000 per month.  The Imposter keynotes unsafe practice issues in psychiatric hospitals and institutions for both patients and staff. Now we admit a newly diagnosed psychotic patient or a suicidal individual to an inpatient facility and discharge them a few days later on medications that may or may not work. Medications with many unsafe and undocumented side effects.

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In Viral Intent: Terror in New Orleans, a political-medical thriller, the same characters, Alex, Jack, Robert and Monique grapple with the uncertainties of life, and realize how the heinous work of a few can affect the lives of thousands, perhaps millions, forever. I discuss the importance of government agencies, including the CDC, FBI, and Secret Service, working together to safeguard the welfare and health of Americans and the world.

Also of interest in Viral Intent is the questionable ethical and convoluted history of the Salk-Sabin Polio vaccine administered to Americans in the 1950s. I discuss the vaccine’s relationship to spiraling tissue cancers and the failure of the American government to inform the public about the virus and its association with organized crime in New Orleans. Nurse-lawyer protagonist Alex Destephano, NOPD Commander Jack Francoise, and psychiatrist Dr. Monique Desmonde bring these polarized and ethically-charged issues to life.

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Finally, in Toxic New Year: The Day that Wouldn’t End, the reader is confronted with the complexity of character Jacob Stark, a former CIA operative who cooperated with terrorists and co-authored a massive plot against Alex’s grandfather, Congressman Adam Patrick Lee, at his Virginia estate. Jacob Stark’s treason and ethics are clearly wrong, but as the book progresses, readers report liking Jacob Stark, and understanding and forgiving what he’d done.  Stark’s character truly represents a portrait of moral ambiguity.

In my new series, Irish-born Michaela (Mic) McPherson, a retired Richmond homicide detective and pub owner, works with her retired police dog, Angel, and close friend, 82 year-old Countess Dottie Borghase, to solve crimes and punish offenders.

In the first book, The Case of Dr. Dude, nefarious characters abduct and kidnap to profit from human trafficking. The book presents the crime of human trafficking in an effort to draw the reader’s attention to this horrific, global crime that affects all genders, races, and socio-economic levels - the poorest poor to the richest rich. I knew little of human trafficking before I began my research for Dr. Dude, but what I learned has impacted my life forever.

Through my character Dottie Borghase, an aging Italian Countess, I hope to teach my readers to appreciate, support, and value elders as national treasures in all cultures. Retired police dog Angel shows my love for canines and the amazing heroics performed daily by military and police working dogs across the world often incredible unsung heroes.

These dogs put their lives on the line daily, and are treated as equal partners in combat. These canines have saved thousands of lives at home and abroad. Dogs have an acute sense of smell five to ten times stronger than that of a human. Working dogs are able to detect minute traces of explosives or drugs and alert their handlers of their presence. Few people realize the amazing abilities of these canines.

Well… I guess I write for all the reasons above.  I write because I love to, and I value the opportunity to talk about and advocate for people who make a difference in our complex world.

Many thanks for reading.


Dr. Judith Lucci is an Amazon bestselling author who writes what she knows. She is the author of the Alex Destephano Medical Thriller Series and the soon to be released Michaela McPherson, Private Eye, a series centered on a retired homicide detective from Richmond, Virginia who really can’t retire.

“Before I wrote fiction, I was an academic writer who published research, theoretical works, text books and just about anything a clinician or college professor needed to publish to survive in the ivory tower. The differences in academic writing and writing fiction are dramatic. Writing what I know propels me to pull from my clinical experiences, some good, some not and use popular fiction as a means to teach and advocate for others. My books have three purposes, to engage the reader, to entertain them and to educate about healthcare and perhaps, the darker side of hospital life. 

"I am a nurse and hold graduate and doctoral degrees from Virginia Commonwealth University and the University of Virginia. I have always been a reader and a writer and I love it. I am a member of the Virginia Writers Club, The Gulf Coast Writers Association, The Shenandoah Valley Writers and Sisters in Crime.

"When I’m not writing I’m probably teaching, painting on silk, canvas or watercolor. I am a multi-media artist with five dogs. 

Please feel free to contact me at judithlucciwriter@gmail.comI am excited about meeting you!"

Judith can also be located here:

Thank you once again, Judith, for gracing this blog with your southern charm and allowing us a peek behind the curtain at the motives that drive your thriller writing. I've already had the pleasure of reading an advanced copy of The Case of Dr. Dude and it's characters are superb and its story one to chill your hearts; don't miss it!

Eric @

Wednesday, February 3, 2016

My Guest: Seumas Gallacher

My Guest this week started his writing life as an Indie then signed with a traditional publisher, something many independent authors dream about. Yet the story doesn't end there. Ladies and Gentlemen...

Seumas Gallacher


…yeez put yer self-publishin’ bloke in… yeez put yer self-publishin’ bloke out… in, out, in, out, shake it all about…

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…in the past two or three weeks, several fellow authors have been in touch asking why I’ve reverted to full metal jacket self-publishing… during 2015,  Crooked Cat Publishing and I shared the delight/burden of bringing my Jack Calder crime thriller titles to the marketplace… now we’ve agreed to an amicable parting of the ways, and close writing pals are interested in how that decision was reached… ‘quite simply and painlessly’ is the correct answer… but let’s backtrack a wee bit… and a closer look at why, with 80,000+ downloads up to until a year ago, this ol’ Scots Jurassic author should have joined up with a publishing house in the first place… for six years, many of yeez will have been following my journey on the solo trail… developing my market base… ‘building the platform’… honing my marketing and promotional nous… connecting with so many great pals in the quill-
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scraper universe… and LUVVIN IT!... however, as so many of yeez Lads and Lassies of Blog Land will have experienced yerselves, there are only, sadly, 24 hours in every day… and I could have embraced two or three times that had they been available… I reckoned that the download history up until then would have justified at least a glimpse from the elusive large publishing moguls… nada, nil, zilch, nix, none… the opportunity arose to partner up with Stephanie and Laurence Patterson… the prospect of eBooks linked to follow-on print copy production was attractive (and still is!)… and, importantly, getting my WURK into a broader range of distribution outlets than my then only channel, the Great God Amazon Kindle… the aforementioned promotional weight would be shared, (and only ‘shared’—I fully understood upfront that regardless of whether yeez are self-published or ‘housed’, an author must still do the lion’s share of the marketing stuff)…

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…at this point, let me say I met with Steph and Laurence over dinner in Edinburgh, and they are splendid hosts and good people… so why part company?... what happened?...

…it’s more a case of what didn’t happen… the avenues to markets was indeed widened, and my books did become available through the likes of Smashwords and others… but resultant sales were a fraction of my expectations, even on, and I s’pose , especially on Amazon… the over-all total sales across all my titles actually dropped… blame?... no blame… just a realisation of a business truism… selling books in the modern publishing environment is a matter of focus… literature has become more commoditised than ever before… forget the red herring argument of Print versus eBooks… both are formidable forces and both streams will remain gigantic markets… concentrated product flows in the form of more books per day coming to the ‘online shops’ as well as the continued supplies from the print publishers make it increasingly difficult to be ‘heard above the noise’… consider then the good Crooked Cat folks… they have contracts with almost a hundred authors, some with multiple titles… and with the best will in the world, it is impossible for any house to give as much focus (there’s
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that WURD ‘focus’ again) to an individual writer as that writer should be capable of applying himself/herself… many of my Cat pals will be happy with that status, and not everyone wants to be anything more than an author… and correctly so… chacun a son gout… not so Master Gallacher… and here we come to the real, fundamental reason for the separation… I yielded that in-depth involvement in every part of my ‘business of writing’ which drove me for the initial stages of my embryonic novelist career… simple things like not seeing the day to day sales figures online from Amazon… these necessarily switched to the publisher… I missed not so much the addiction to tracking these hypnotic figures, (which is an issue, despite my protestations to the contrary!) but more pertinently, lacking the knowledge of which titles were flagging versus the others, so that I could divert promotional activity toward the hind markers… prior to Crooked Cat, I utilised a cover artist friend in the Philippines and was comfortable with that… this changed to a cooperative process with the publisher… no problem in that in itself, but I missed working alongside my pal on that creative side… the re-launching of the first three books and subsequent de novo launching of the fourth fell into the publisher’s schedule… although they accommodated these in early course, it still didn’t feel the same as when I could launch any time I was ready… not quite typing ‘The End’ and ten minutes later a new masterpiece appearing on Amazon Kindle, but yeez get the picture… I’ve been involved in commercial and financial management all my working life and it all boils down to my personal need and choice for as much control of my own business destiny… so, in summary, let me not discourage anyone from approaching and staying with Crooked Cat PublishingSteph, Laurence and I are on good terms and will hopefully stay that way for a long time… the many friends acquired in their stable will also be permanent pals, as long as they continue to be able to translate my Glasgow version of English… and oh, there’s no earthly reason not to buy my books!… see yeez later… LUV YEEZ!...

SEUMAS GALLACHER escaped from the world of finance seven years ago, after a career spanning three continents and five decades.

As the self-professed 'oldest computer Jurassic on the planet’, his headlong immersion into the dizzy world of eBook publishing opened his eyes, mind, and pleasure to the joys of self-publishing. As a former businessman, he rapidly understood the concept of a writer's need to 'build the platform', and from a standing start began to develop a social networking outreach, which now tops 25,000 direct contacts.

His 'Jack Calder' crime thriller series, THE VIOLIN MAN'S LEGACYVENGEANCE WEARS BLACK and SAVAGE PAYBACK have blown his mind with more than 80,000 e-link downloads to date. His fourth, KILLER CITY was launched in August 2015.

He started a humorous, informative, self-publishers blog three years ago, never having heard of a 'blog' prior to that, was voted 'Blogger of the Year 2013' and now has a loyal blog following on his networks. He says the novels contain his 'Author's Voice', while the blog carries his 'Author's Brand'. And he's LUVVIN IT!

When not penning his humorous blog or writing nail-biting, action thrillers, Seumas can be found here:


Thank you Seumas for showing us that the boundaries that appear to exist between Traditional Publishing and the Indie route are not as insurmountable as some would have us believe. Best wishes for your novels and looking forward to Jack Calder number 5.

Eric @